This book is a sequel to Frederick Neumann’s Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart’s music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left
Additional ISBNs: 9780691655420, 0691655421, 9780691194684, 0691194688


Medieval Tailor's Assistant
He-Man and She-Ra: A Complete Guide to the Classic Animated Adventures
Assessment in Special and Inclusive Education
How To Brew
Career Achievement: Growing Your Goals
Aeschylus II: The Oresteia
A Dissection Guide & Atlas to the Fetal Pig
Coalitions and Partnerships in Community Health
Beginning T-SQL
Around the Year with Emmet Fox
Assessing Learners with Special Needs, 8th Edition
Daisy Cooks!
African-American Odyssey, The, Combined Volume
Bergin and Garfield's Handbook of Psychotherapy and Behavior Change
A Glossary of Literary Terms
America Now: Short Readings from Recent Periodicals
Janacek: Years of a Life Volume 2 (1914-1928)
Adolescent Literacy in the Era of the Common Core
Becoming an Orchestral Musician 
Review Ornamentation and Improvisation in Mozart
There are no reviews yet.